Kneppelhout, Johannes (1814 - 1885)
| Short name | Kneppelhout, Johannes |
|---|---|
| VIAF | http://viaf.org/viaf/49263017/ |
| First name | Johannes |
| Birth name | Kneppelhout |
| Alternative name | Klikspaan (1839 - 1844) |
| Date of birth | 1814 |
| Date of death | 1885 |
| Flourishing | - |
| Sex | Male |
| Place of birth | Leiden |
| Place of death | Oosterbeek (Gelderland) |
| Lived in | Netherlands |
| Place of residence notes |
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| Father | |
| Children | |
| Religion / ideology | |
| Education | |
| Aristocratic title | - |
| Professional or ecclesiastical title | - |
Kneppelhout, Johannes was ...
| related to | Beets, Nicolaas |
| related to | Hugo, Victor |
| related to | George Gordon (Lord) Byron |
| related to | Hasebroek, Johannes Petrus |
| professional colleague | Hasebroek, Elisabeth Johanna |
| correspondent , friend , professional colleague and protégé of | Calcar, Elise van |
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| Place(s) of Residence | Netherlands |
Author of
| receptions | circulations | |
|---|---|---|
|
De studenten en hun bijloop
(1842)
is also a reception: is intertextual to Horace |
0 | 0 |
|
*Mention in art.: Overdenkingen bij het sluiten der Algemeene Tentoonstelling te Parijs
(1856)
is also a reception: comments on work Maître Favilla |
0 | 0 |
|
*Mention in Art. in De Gids
(1866)
is also a reception |
0 | 0 |
|
*Art. in De Gids
(1878)
is also a reception: comments on work Elisabeth, de jonkvrouw van 't kasteel te Valkenburg : drama in voetmaat en 5 bedrijven uit 1355 |
0 | 0 |
| Waanzinnig Truken (1841) | 0 | 0 |
Editor of
-Copyist of
-Illustrator of
-Translator of
-Circulations of Kneppelhout, Johannes, the person (for circulations of his works, see under each individual Work)
| Title | Date | Type |
Receptions of Kneppelhout, Johannes, the person
For receptions of his works, see under each individual Work.
| Title | Author | Date | Type |
|---|
Nicolaas Beets and Johannes Petrus Hasebroek were colleagues and friends of Kneppelhout. They were members of the 'Rederijkerskamer' and helped each other and developing and improving their poetry. Furthermore, they took inspiration from foreign Romantics such as George Gordon Byron and Victor Hugo.