Leroyer de Chantepie, Sophie (1800 - 1888)
| Short name | Leroyer de Chantepie, Sophie |
|---|---|
| VIAF | http://viaf.org/viaf/46808280 |
| First name | Sophie |
| Birth name | Leroyer de Chantepie |
| Married name | |
| Date of birth | 1800 |
| Date of death | 1888 |
| Flourishing | - |
| Sex | Female |
| Place of birth | - |
| Place of death | - |
| Lived in | France |
| Place of residence notes |
| Mother | |
|---|---|
| Father | |
| Children | |
| Religion / ideology | |
| Education | |
| Aristocratic title | - |
| Professional or ecclesiastical title | - |
| related to | Sand, George (pseudonym) |
| Profession(s) | |
|---|---|
| Memberships | |
| Place(s) of Residence | France |
Author of
| receptions | circulations | |
|---|---|---|
|
*Lettre à Sand (reading experience)
(1836)
is also a reception: comments on work Lélia |
0 | 0 |
| Cécile (1840~) | 1 | 0 |
| *Probably record not finished (1850) | 0 | 0 |
| Angélique Lagier (1851) | 1 | 0 |
| Chroniques et légendes (1870) | 1 | 0 |
Editor of
-Copyist of
-Illustrator of
-Translator of
-Circulations of Leroyer de Chantepie, Sophie, the person (for circulations of her works, see under each individual Work)
| Title | Date | Type |
Receptions of Leroyer de Chantepie, Sophie, the person
For receptions of her works, see under each individual Work.
| Title | Author | Date | Type |
|---|---|---|---|
| *Lettre à Leroyer de C. | Sand, George (pseudonym) | 1842 | comments on person |
| Unknown artist, portrait of Marie-Sophie Leroyer de Chantepie, ca. 1850. | 1850 | is portrait of |
Cf. James Smith Allen, Poignant relations. Three modern French women. Baltimore, 2000: In this book, James Smith Allen analyzes the works of three nineteenth and early twentieth-century French women writers to address larger issues of feminism, literary production, and modernity. Although the three figures—Marie-Sophie Leroyer de Chantepie (1800–1888), Geneviève Bréton-Vaudoyer (1849–1918), and Céline Renooz-Muro (1840–1928)—are little known today, Allen maintains that they represent an important gesture of feminism; that is, they wrote to construct meaningful lives that included agency, independence, and a critique of social and cultural constraints on women. None of these women identified herself as a feminist, but, according to Allen, they articulated "traces of feminist consciousness" in their discursive renderings of subjects vitally important to them: namely, marital, familial, sexual, and religious or scientific relationships. (rev.art. in American Hist. Review oct. 2005).
NOT MENTIONED IN:
- Buck, Guide
Corr.GS III, V, VI, XI, XIII, XV, XVII, XVIII, XXII, XXIII
14 notices Cat.BnF