Emblematum christianorum centuria / Cent emblemes chrestiennes.
(1584)
is also a
reception:
is translation of
Emblèmes ou devises chrestiennes
|
0
|
0
|
Emblematum christianorum centuria / Cent emblemes chrestiennes
(1619)
is also a
reception:
is translation of
Emblèmes ou devises chrestiennes
|
0
|
0
|
Lettres d'Héloïse à Abailard, et les réponses d'Abailard aux lettres d'Héloïse
(1696)
is also a
reception:
is edition of
*Heloïse's letters to Abelard
|
0
|
0
|
L'Iliade d'Homère / traduction de madame Dacier ; revue et corrigée sur les dernières éditions grecques par H. Trianon
(1712)
is also a
reception:
is edition of
L'Iliade d'Homere, trad. avec des remarques, par Mme Dacier
|
0
|
0
|
|
The Strange Adventures of the Count de Vinevil and his Family
(1728)
|
0
|
0
|
The Strange Adventures of the Count de Vinevil and his Family
(1728)
is also a
reception:
is edition of
The Strange Adventures of the Count de Vinevil and his Family
|
0
|
0
|
The Life of Charlotta Du Pont
(1736)
is also a
reception:
is edition of
The Life of Charlotta Du Pont
|
0
|
0
|
Lebensbeschreibung der Europäischen Robinsonetta
(1753)
is also a
reception:
is edition of
[TO BE CHECKED] Lebensbeschreibung der Europäischen Robinsonetta
|
1
|
0
|
*Sancerre [titre à vérifier]
(1767)
is also a
reception:
is copy of
Lettres d'Adélaïde de Dammartin, Comtesse de Sancerre à M. le Comte de Nancé, son ami
|
0
|
0
|
*A préciser
(1767)
is also a
reception:
is copy of
Lettres d'Adélaïde de Dammartin, Comtesse de Sancerre à M. le Comte de Nancé, son ami
|
0
|
0
|
*Annonce dans Affiches de Lyon
(1770)
is also a
reception:
comments on work
Joujou de nouvelle façon ou contes amusants et instructifs à la portée et à l'usage des plus petits enfants
|
0
|
0
|
Magasin des Enfants [1776 edition]
(1776)
is also a
reception:
is copy of
Magasin des enfants, ou dialogues d'une sage gouvernante avec ses élèves
|
0
|
0
|
Susannae Reginae Titsingiae, Lykdichten
(1776)
is also a
reception
|
0
|
0
|
Seven Rational Sermons
(1777)
is also a
reception:
is edition of
Sermons written by a Lady
|
0
|
0
|
Oeuvres
(1780)
is also a
reception:
is copy of
Oeuvres de Riccoboni
|
0
|
0
|
Merkwürdige und ausserordentliche Begebenheiten einer Kosakischen Standesperson
(1780)
is also a
reception:
is edition of
Merkwürdige und ausserordentliche Begebenheiten einer Kosakischen Standesperson
|
0
|
0
|
*republication (anonymously) in Hampshire Chronicle
(1785)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
*republication (anonymously) in The Hiberian Magazine
(1785)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
*republication of this text (anonymously) in The Newcastle magazine
(1785)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
*republication of this text (anonymously) in European Magazine
(1785)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
|
Oeuvres de mesd. De Lafayette et de Tencin
(1786)
|
0
|
0
|
*republication (anonymously) in The New Novelist’s Magazine
(1787)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
The Pretended Martin Guerre
(1787)
is also a
reception:
is adaptation of
The Romance of Real Life
|
0
|
0
|
*Republication of this text (anonymously) in Massachussets Magazine
(1791)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
*republication (anonymously) in The Virginia Almanack
(1793)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
* second republication of this text (anonymously) in Massachusetts Magazine
(1795)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
*Advertisement in Dagligt Allehanda
(1797)
is also a
reception:
None
Cecilia; or, Memoirs of an heiress
|
0
|
0
|
Ambrose and Eleanor
(1797)
is also a
reception:
is edition of
Ambrose and Eleanor; or, The Adventures of Two Children Deserted on an Uninhabited Island. Translated from the French, with Alterations, Adapting it to the Perusal of Youth
|
0
|
0
|
Magasin des Enfants [1798 edition]
(1798)
is also a
reception:
is copy of
Magasin des enfants, ou dialogues d'une sage gouvernante avec ses élèves
|
0
|
0
|
Ambrose and Eleanor
(1799)
is also a
reception:
is edition of
Ambrose and Eleanor; or, The Adventures of Two Children Deserted on an Uninhabited Island. Translated from the French, with Alterations, Adapting it to the Perusal of Youth
|
0
|
0
|
Le Journaliste
(1801)
is also a
reception:
is copy of
Le journaliste
|
0
|
0
|
Pamrose, ou le Palais et la chaumière
(1801)
is also a
reception:
is copy of
Pamrose, ou le palais et la chaumière
|
0
|
0
|
The Recess, or a Tale of Past Times
(1802)
is also a
reception:
is copy of
The recess, or a tale of other times
|
0
|
0
|
Dalidor et Mulcé
(1804)
is also a
reception:
is copy of
Dalidor et Mulcé
|
0
|
0
|
La Jeune Pénitente, nouvelle
(1804)
is also a
reception:
is copy of
La jeune pénitente
|
0
|
0
|
Les Amants sans Amour
(1804)
is also a
reception:
is copy of
Les amants sans amour
|
0
|
0
|
The Works of Epictetus, Consisting of His Discourses, in Four Books,
(1807)
is also a
reception:
is edition of
All The Works Of Epictetus, Which Are Now Extant . . . Translated from the Original Greek, By Elizabeth Carter. With An Introduction, and Notes, by the Translator.
|
0
|
0
|
Histoire de deux amies
(1807)
is also a
reception:
is copy of
Histoire de deux jeunes amies
|
0
|
0
|
Sainclair, ou la Victime des Sciences et des Arts
(1808)
is also a
reception:
is copy of
Le Comte de Corke surnommé le Grand, ou la séduction sans artifice, suivi de six nouvelles
|
0
|
0
|
*republication (anonymously) in Tabart’s “Moral Tales
(1809)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
Le Vieux savetier de la cabane et les huit louis
(1810)
is also a
reception:
is copy of
Le vieux savetier de la cabane et les huit louis
|
0
|
0
|
*republication (anonymously) as book for juvenile readers
(1810)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
*New edition
(1811)
is also a
reception:
is edition of
Translations of the Letters of a Hindoo Rajah
|
0
|
0
|
Cartas de Heloysa y Abelardo, en prosa y en verso ; con la vida de estos desafortunados amantes
(1813)
is also a
reception:
is edition of
*Heloïse's letters to Abelard
|
0
|
0
|
*republication (anonymously) as book for juvenile readers
(1815)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
Überall, wo wir wohnen...
(1818)
is also a
reception
|
0
|
0
|
Ein Nebel ruht auf frommen alten Sagen
(1819)
is also a
reception
|
0
|
0
|
Die kleinstein Zufälle waren oft...
(1820)
is also a
reception
|
0
|
0
|
Le Robinson de douze ans
(1820)
is also a
reception:
is edition of
Le Robinson de douze ans
|
0
|
0
|
Wer sammelte nicht Blumen...
(1820)
is also a
reception
|
0
|
0
|
Es gibt so gewisse innerliche Stimmen
(1820)
is also a
reception
|
0
|
0
|
Weihet des Lebens geliehene Minuten
(1820)
is also a
reception
|
0
|
0
|
Heiter blickst du
(1821)
is also a
reception
|
0
|
0
|
Ohne die Kraft des Enthusiasmus
(1821)
is also a
reception
|
0
|
0
|
Was nutzte der Rhum
(1821)
is also a
reception
|
0
|
0
|
Es wenden aus der Ferne sich die Blicke
(1823)
is also a
reception
|
0
|
0
|
Die hoffende Liebe lebt nur in der Gegenwart
(1824)
is also a
reception
|
0
|
0
|
*republication (anonymously) in The Pocket Magazine
(1825)
is also a
reception:
is edition of
Talisman of truth (from Moral and Sentimental Essays)
|
0
|
0
|
Nur in der Treue
(1826)
is also a
reception
|
0
|
0
|
Wo du liebend wirkst...
(1827)
is also a
reception
|
0
|
0
|
Rückreise Robinsons des Jüngern nach seinem Eilande in Begleitung seiner Kinder
(1827)
is also a
reception:
is edition of
Robinsons des Jüngeren Rückreise nach seinem Eilande in Begleitung seiner Kinder
|
0
|
0
|
Robinson francais, le petit naufragé
(1827)
is also a
reception:
is edition of
Robinson français, le petit naufragé
|
0
|
0
|
Laßt uns im Weihgesang die Hände...
(1828)
is also a
reception
|
0
|
0
|
Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha : eine Erzählung für die geliebte Jugend
(1828)
is also a
reception:
is edition of
Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha [The emigrants heading for Brasil, or the cottage in Gigitonhonha]
|
0
|
0
|
Dich, Tonkunst
(1832)
is also a
reception
|
0
|
0
|
Lélia
(1833)
is also a
reception:
is copy of
Lélia
|
0
|
0
|
Rose et Blanche
(1834)
is also a
reception:
is copy of
Rose et Blanche
|
0
|
0
|
Le secretaire intime
(1834)
is also a
reception:
is copy of
Le Secrétaire Intime
|
0
|
0
|
Lelia
(1834)
is also a
reception:
is copy of
Lélia
|
0
|
0
|
Valentine
(1834)
is also a
reception:
is copy of
Valentine
|
0
|
0
|
*Announcement
(1835)
is also a
reception
|
0
|
0
|
Simon
(1836)
is also a
reception:
is copy of
Simon
|
0
|
0
|
*Announcement
(1836)
is also a
reception
|
0
|
0
|
Simon
(1836)
is also a
reception:
is copy of
Simon
|
0
|
0
|
*Announcement
(1837)
is also a
reception
|
0
|
0
|
L'Uscoque
(1838)
is also a
reception:
is copy of
L'Uscoque
|
0
|
0
|
Les Maîtres mosaïstes
(1838)
is also a
reception:
is copy of
Les Maîtres mosaïstes
|
0
|
0
|
La dernière Aldini
(1838)
is also a
reception:
is copy of
La dernière Aldini
|
0
|
0
|
Ambrose and Eleanor
(1839)
is also a
reception:
is edition of
Ambrose and Eleanor; or, The Adventures of Two Children Deserted on an Uninhabited Island. Translated from the French, with Alterations, Adapting it to the Perusal of Youth
|
0
|
0
|
Emma ou le Robinson des demoiselles
(1840)
is also a
reception:
is edition of
Emma ou le Robinson des demoiselles
|
0
|
0
|
The life and adventures of Michael Armstrong, the factory boy
(1840)
is also a
reception:
is copy of
The life and adventures of Michael Armstrong, the factory boy
|
0
|
0
|
|
Pauline
(1840)
|
0
|
0
|
Consuelo
(1842)
is also a
reception:
is copy of
Consuelo
|
0
|
0
|
Indiana - André
(1843)
is also a
reception:
is copy of
André
|
0
|
0
|
La Comtesse de Rudolstadt (Brussels/Leipzig: Meline, Cans)
(1843)
is also a
reception:
is copy of
La Comtesse de Rudolstadt
|
0
|
0
|
Consuelo
(1843)
is also a
reception:
is copy of
Consuelo
|
0
|
0
|
Consuelo
(1843)
is also a
reception:
is copy of
Consuelo
|
0
|
0
|
Indiana
(1843)
is also a
reception:
is copy of
Indiana
|
0
|
0
|
The Gentleman's daughter, or, A great city's temptations
(1843)
is also a
reception:
is edition of
The father and daughter
|
0
|
0
|
La Comtesse de Rudolstadt (Brussels/Leipzig: C. Muquardt)
(1844)
is also a
reception:
is copy of
La Comtesse de Rudolstadt
|
0
|
0
|
Jeanne. Suivie de Procope le Grand (Brussel/Leipzig: Meline, Cans)
(1844)
is also a
reception:
is copy of
Jeanne
|
0
|
0
|
Jeanne (Brussels/Leipzig: C. Muquardt)
(1844)
is also a
reception:
is copy of
Jeanne
|
0
|
0
|
*Art. in 'Europa' : Frederika Bremer
(1844)
is also a
reception
|
0
|
0
|
Jeanne (Grimma: Bureau d'édition)
(1844)
is also a
reception:
is copy of
Jeanne
|
0
|
0
|
Jeanne (Grimma: Verlags-Comptoir)
(1844)
is also a
reception:
is copy of
Jeanne
|
0
|
0
|
Jeanne. Suivie de Procope le Grand
(1844)
is also a
reception:
is copy of
Procope le Grand
|
0
|
0
|
Isidora
(1845)
is also a
reception:
is copy of
Isidora
|
0
|
0
|
Indiana
(1845)
is also a
reception:
is copy of
Indiana
|
0
|
0
|
Isidora
(1845)
is also a
reception:
is copy of
Isidora
|
0
|
0
|
Le Meunier d'Angibault
(1845)
is also a
reception:
is copy of
Le Meunier d'Angibault
|
0
|
0
|
La Mare au Diable. Suivie de Fanchette (Brussels/Leipzig: Meline, Cans)
(1846)
is also a
reception:
is copy of
La Mare au Diable
|
0
|
0
|
Lucrezia Floriani
(1846)
is also a
reception:
is copy of
Lucrezia Floriani
|
0
|
0
|
Lucrezia Floriani
(1846)
is also a
reception:
is copy of
Lucrezia Floriani
|
0
|
0
|
Lucrezia Floriani
(1846)
is also a
reception:
is copy of
Lucrezia Floriani
|
0
|
0
|
Le Péché de Monsieur Antoine
(1846)
is also a
reception:
is copy of
Le Péché de Monsieur Antoine
|
0
|
0
|
La Mare au Diable. Suivie de Fanchette (Brussels/Leipzig: C. Muquardt)
(1846)
is also a
reception:
is copy of
La Mare au Diable
|
0
|
0
|
La Mare au diable. Suivie de Fanchette (Brussel/Leipzig: Meline, Cans)
(1846)
is also a
reception:
is copy of
Fanchette
|
0
|
0
|
La Mare au diable. Suivie de Fanchette (Brussel/Leipzig: C. Muquardt)
(1846)
is also a
reception:
is copy of
Fanchette
|
0
|
0
|
Le Piccinino
(1847)
is also a
reception:
is copy of
Le Piccinino
|
0
|
0
|
Le Piccinino
(1847)
is also a
reception:
is copy of
Le Piccinino
|
0
|
0
|
Lucrezia Floriani
(1847)
is also a
reception:
is copy of
Lucrezia Floriani
|
0
|
0
|
La petite fille de Robinson
(1848)
is also a
reception:
is edition of
La petite fille de Robinson
|
0
|
0
|
L'Uscoque
(1848)
is also a
reception:
is copy of
L'Uscoque
|
0
|
0
|
François le Champi
(1848)
is also a
reception:
is copy of
François le Champi
|
0
|
0
|
La petite Fadette (Brussels/Livorno/Leipzig: Meline)
(1849)
is also a
reception:
is copy of
La petite Fadette
|
0
|
0
|
La petite Fadette (Brussels/Leipzig: C. Muquardt)
(1849)
is also a
reception:
is copy of
La petite Fadette
|
0
|
0
|
François le Champi (théâtre)
(1850)
is also a
reception:
is copy of
François le Champi (théâtre)
|
0
|
0
|
François le Champi (théâtre)
(1850)
is also a
reception:
is adaptation of
François le Champi (théâtre)
|
0
|
0
|
Molière
(1851)
is also a
reception:
is copy of
Molière
|
0
|
0
|
Le Château des Désertes (Brussels/Gent/Leipzig: C. Muquardt)
(1851)
is also a
reception:
is copy of
Le Château des Désertes
|
0
|
0
|
Le Château des Désertes (Brussels/Leipzig: Kiessling)
(1851)
is also a
reception:
is copy of
Le Château des Désertes
|
0
|
0
|
Le Château des Désertes (Brussels/Livorno/Leipzig: Meline)
(1851)
is also a
reception:
is copy of
Le Château des Désertes
|
0
|
0
|
Claudie, drame en 3 actes
(1851)
is also a
reception:
is copy of
Claudie
|
0
|
0
|
Le démon de foyer
(1852)
is also a
reception:
is copy of
Le démon de foyer
|
0
|
0
|
Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha; eine belehrende und unterhaltende Erzählung für die geliebte Jugend
(1852)
is also a
reception:
is edition of
Die Auswanderer nach Brasilien oder die Hütte am Gigitonhonha [The emigrants heading for Brasil, or the cottage in Gigitonhonha]
|
0
|
0
|
Le Mariage de Victorine, comédie en 3 actes
(1852)
is also a
reception:
is copy of
Le Mariage de Victorine
|
0
|
0
|
Le Pressoir
(1852)
is also a
reception:
is copy of
Le Pressoir
|
0
|
0
|
Mont-Revêche
(1853)
is also a
reception:
is copy of
Mont-Revêche
|
0
|
0
|
La Filleule (Brussel/Leipzig: Kiessling, Schnée)
(1853)
is also a
reception:
is copy of
La Filleule
|
0
|
0
|
La Filleule (Brussel/Leipzig: Kiessling)
(1853)
is also a
reception:
is copy of
La Filleule
|
0
|
0
|
Mont-Reveche
(1853)
is also a
reception:
is copy of
Mont-Revêche
|
0
|
0
|
La Filleule (Brussel/Leipzig/Gent: C. Muquardt)
(1853)
is also a
reception:
is copy of
La Filleule
|
0
|
0
|
La Filleule (Brussel/Livorno/Leipzig: Meline)
(1853)
is also a
reception:
is copy of
La Filleule
|
0
|
0
|
Laure
(1854)
is also a
reception:
is copy of
Laura
|
0
|
0
|
De Babylone à Jérusalem, par Mme la comtesse Ida de Hahn-Hahn
(1854)
is also a
reception:
None
Von Babylon nach Jerusalem
|
0
|
0
|
Le Diable aux Champs
(1855)
is also a
reception:
is copy of
Le Diable aux Champs
|
0
|
0
|
Jane Eyre, an autobiography
(1855)
is also a
reception:
is copy of
Jane Eyre. An autobiography
|
0
|
0
|
Evenor et Leucippe (Brussels/Leipzig: Kiessling, Schnée)
(1856)
is also a
reception:
is copy of
Evenor et Leucippe
|
0
|
0
|
Evenor et Leucippe (Leipzig: Gerhard)
(1856)
is also a
reception:
is copy of
Evenor et Leucippe
|
0
|
0
|
Le Diable aux Champs
(1856)
is also a
reception:
is copy of
Le Diable aux Champs
|
0
|
0
|
Ladij Bulwer (art. in Damesweekblad)
(1856)
is also a
reception:
comments on work
Cheveley, or the Man of Honour
|
0
|
0
|
Maître Favilla, drame en 3 actes
(1856)
is also a
reception:
is copy of
Maître Favilla
|
0
|
0
|
*Mention in preface of Tijdspiegel
(1856)
is also a
reception
|
0
|
0
|
La Daniella
(1857)
is also a
reception:
is copy of
La Daniella
|
0
|
0
|
*Announcement in Aglaja
(1857)
is also a
reception:
None
Dred; a tale of the Great Dismal Swamp
|
0
|
0
|
Krusemans edition of Historische Vrouwen
(1857)
is also a
reception
|
0
|
0
|
Les Dames vertes
(1857)
is also a
reception:
is copy of
Les Dames vertes
|
0
|
0
|
Les Beaux Messieurs de Bois-Doré
(1858)
is also a
reception:
is copy of
Les Beaux Messieurs de Bois-Doré
|
0
|
0
|
L'Homme de Neige
(1858)
is also a
reception:
is copy of
L'Homme de Neige
|
0
|
0
|
Le démon de foyer
(1858)
is also a
reception:
is copy of
Le démon de foyer
|
0
|
0
|
Les Beaux Messieurs de Bois-Doré
(1858)
is also a
reception:
is copy of
Les Beaux Messieurs de Bois-Doré
|
0
|
0
|
Narcisse
(1859)
is also a
reception:
is copy of
Narcisse
|
0
|
0
|
Elle et Lui
(1859)
is also a
reception:
is copy of
Elle et Lui
|
0
|
0
|
Le Nouveau Robinson
(1859)
is also a
reception:
is edition of
Le Nouveau Robinson
|
0
|
0
|
Les Dames vertes
(1859)
is also a
reception:
is copy of
Les Dames vertes
|
0
|
0
|
Garibaldi
(1860)
is also a
reception:
is copy of
Garibaldi
|
0
|
0
|
Constance Verrier (publ. in Naumburg)
(1860)
is also a
reception:
is copy of
Constance Verrier
|
0
|
0
|
Jean de la Roche
(1860)
is also a
reception:
is copy of
Jean de la Roche
|
0
|
0
|
Flavie
(1860)
is also a
reception:
is copy of
Flavie
|
0
|
0
|
Constance Verrier (publ. in Leipzig)
(1860)
is also a
reception:
is copy of
Constance Verrier
|
0
|
0
|
Tamaris
(1862)
is also a
reception:
is copy of
Tamaris
|
0
|
0
|
La Famille de Germandre
(1862)
is also a
reception:
is copy of
La Famille de Germandre
|
0
|
0
|
Antonia
(1863)
is also a
reception:
is copy of
Antonia
|
0
|
0
|
Mademoiselle La Quintinie
(1863)
is also a
reception:
is copy of
Mademoiselle La Quintinie
|
0
|
0
|
*Publications in periodical press: Europa
(1863)
is also a
reception:
is translation of
*Several shorter texts (to be specified later)
|
0
|
0
|
Laura. Voyage dans un cristal
(1864)
is also a
reception:
is copy of
Laura
|
0
|
0
|
|
Oeuvres de mesdames de Fontaines et de Tencin
(1864)
|
0
|
0
|
|
Oeuvres de Mesdames de Fontaines et de Tencin
(1864)
|
0
|
0
|
Obras de [...] de [...] Sáez de Melgar [...] de venta en la redacción [...]
(1864)
is also a
reception:
None
La marquesa de Pinares
|
0
|
0
|
Voltaire en zijn hofjuwelier
(1864)
is also a
reception:
is translation of
*Voltaire en zijn hofjuwelier
|
0
|
0
|
Eene eerzuchtige vrouw
(1865)
is also a
reception:
is translation of
*Eene eerzuchtige vrouw
|
0
|
0
|
Broeder en zuster
(1865)
is also a
reception:
is translation of
Bruder und Schwester
|
0
|
0
|
*Message in Ons Streven
(1870)
is also a
reception
|
0
|
0
|
Monsieur Sylvestre
(1870)
is also a
reception:
is copy of
Monsieur Sylvestre
|
0
|
0
|
Malgrétout
(1871)
is also a
reception:
is copy of
Malgrétout
|
0
|
0
|
Césarine Dietrich
(1871)
is also a
reception:
is copy of
Césarine Dietrich
|
0
|
0
|
Esaia
(1872)
is also a
reception:
is translation of
*Esaia
|
0
|
0
|
Francia - Un Bienfait n'est jamais perdu
(1872)
is also a
reception:
is copy of
Un Bienfait n'est jamais perdu
|
0
|
0
|
Francia - Un bienfait n'est jamais perdu
(1872)
is also a
reception:
is copy of
Francia; Un bienfait n'est jamais perdu
|
0
|
0
|
*In memoriam in Ons Streven
(1872)
is also a
reception
|
0
|
0
|
Uit het leven van een dichter
(1872)
is also a
reception:
is translation of
*Uit het leven van een dichter (From the life of a poet)
|
0
|
0
|
Uit het leven van Koningin Louise
(1873)
is also a
reception:
is translation of
*Uit het leven van Koningin Louise (From the life of queen Louise)
|
0
|
0
|
Het huisgezin van den letterzetter
(1873)
is also a
reception:
is translation of
*Het huisgezin van den letterzetter (The household of the typographer)
|
0
|
0
|
Cugetand la cei ce nu mai sunt
(1874)
is also a
reception:
is edition of
Cugetand la cei ce nu mai sunt
|
0
|
0
|
Henriette van S., in De Huisvrouw
(1875)
is also a
reception:
None
Gertruds framtidsdrömmar
|
0
|
0
|
De verdwaalden, in Nederlandsch Museum
(1875)
is also a
reception:
is copy of
Novellen (Rosalie en Virginie Loveling)
|
0
|
0
|
Meester Huyghe, in Nederlandsch Museum
(1875)
is also a
reception:
is copy of
Novellen (Rosalie en Virginie Loveling)
|
0
|
0
|
Marianne Chevreuse
(1876)
is also a
reception:
is copy of
Marianne Chevreuse
|
0
|
0
|
Iets over Andersen's Vertellingen, in Nederlandsch Museum
(1876)
is also a
reception:
is copy of
Het hoofd van 't huis en allerlei schetsen
|
0
|
0
|
Bloemengeschenken, in Nederlandsch Museum
(1877)
is also a
reception:
is copy of
Het hoofd van 't huis en allerlei schetsen
|
0
|
0
|
Nieuwjaarsbezoeken op het dorp, in Jaarboek van het Willemsfonds
(1877)
is also a
reception:
is copy of
Het hoofd van 't huis en allerlei schetsen
|
0
|
0
|
Maître Favilla. Drame en 3 actes
(1878)
is also a
reception:
is copy of
Maître Favilla
|
0
|
0
|
Beter laat dan nooit
(1880)
is also a
reception:
is translation of
*Beter laat dan nooit
|
0
|
0
|
Polydoor en Theodoor, in De Gids
(1881)
is also a
reception:
is copy of
Polydoor en Theodoor en andere novellen en schetsen (Rosalie and Virginie Loveling)
|
0
|
0
|
Rautatien-palveliakunnan Pietarin kirjaston luettelo
(1881)
is also a
reception:
lists work
Vaimoni ja minä
,
lists work
Pikku kertoelmia
,
lists work
Pikku Fadette
,
lists work
Pascarèl
,
lists work
Nordstjernan
,
lists work
Mäkelän Liisu
,
lists work
Muistoja Naantalista: eli wanhan tädin kertomus
,
lists work
Lukinverkkoja eli pieniä tomupiiloja jotka kotionneamme haittavat
,
lists work
Lindsays lycka
,
lists work
Kusin Jane
,
lists work
Kittyn päiväkirja
,
lists work
Kaksois-veljekset
,
lists work
Erään nuoren tytön elämänvaiheet
|
0
|
0
|
Het hoofd van 't huis, in De Gids
(1881)
is also a
reception:
is copy of
Het hoofd van 't huis en allerlei schetsen
|
0
|
0
|
En gammel jomfru . En Fortælling.
(1881)
is also a
reception:
is edition of
En gammel Jomfru
|
0
|
0
|
De troon van Engeland, in De Gids
(1883)
is also a
reception:
is copy of
De troon van Engeland
|
0
|
0
|
De Kern (Madeleine), in Eigen Haard
(1884)
is also a
reception:
is copy of
Madeleine
|
0
|
0
|
|
Marlitt, Marlitt, Marlitt
(16-08-1884)
|
0
|
0
|
*Various stories from Contrasten (from Madeleine), in Het Leeskabinet
(1885)
is also a
reception:
is copy of
Madeleine
|
0
|
0
|
The sad fortunes of the Reverend Amos Barton [edited by H. Wesenberg]
(1885)
is also a
reception:
comments on work
The Sad Fortunes of the Rev. Amos Barton
|
0
|
0
|
Een vonkje van Genie, in Nederland
(1886)
is also a
reception:
is copy of
Een vonkje van genie en andere novellen
|
0
|
0
|
*Artikel in 'Europa'
(1886)
is also a
reception:
None
Eveline
|
0
|
0
|
Tygodnik Ilustrowany (,,The Illustrated Weekly")
(1886)
is also a
reception:
is copy of
Obrazek z lat głodowych (A Picture from the Hungry Years)
|
0
|
0
|
Prachtig Uitverkoop-aanbod
(1887)
is also a
reception
|
0
|
0
|
Het land der verbeelding, in Eigen Haard
(1888)
is also a
reception:
is copy of
Het land der verbeelding
|
0
|
0
|
Op Bovegem, in De Gids
(1888)
is also a
reception:
is copy of
Het land der verbeelding
|
0
|
0
|
Een Winter in Zuiderland, in Nederlandsch Museum
(1888)
is also a
reception:
is copy of
Een winter in het Zuiderland
|
0
|
0
|
Addio, amore!
(1890)
is also a
reception:
None
Addio, amore!
|
0
|
0
|
*Advertisement in women's press
(1890)
is also a
reception:
None
Am Kreuz
|
0
|
0
|
*Advertisement in women's press
(1890)
is also a
reception:
None
Ur lifvet I
|
0
|
0
|
*Advertisement in women's press
(1890)
is also a
reception:
None
Lotte Lore
|
0
|
0
|
Chevalerie : confidences et Canevas
(1890)
is also a
reception:
is edition of
Oeuvres posthumes. Chevalerie : confidences et Canevas
|
0
|
0
|
*Advertisement in women's press
(1890)
is also a
reception:
None
A summer in a Dutch country house
|
0
|
0
|
*Advertisement in women's press
(1890)
is also a
reception:
None
Flammenzeichen
|
0
|
0
|
*Advertisement in women's press
(1890)
is also a
reception:
None
Die Geschwister
|
0
|
0
|
Een boom, in Het Leeskabinet
(1890)
is also a
reception:
is copy of
Een vonkje van genie en andere novellen
|
0
|
0
|
*Advertisement in women's press
(1890)
is also a
reception:
None
Das Nest
|
0
|
0
|
Een Boekenpraatje
(1890)
is also a
reception:
comments on work
Eene paarl gelijk
|
0
|
0
|
Een dure eed, in De Gids
(1890)
is also a
reception:
is copy of
Een dure eed
|
0
|
0
|
Idonia, in Eigen Haard
(1891)
is also a
reception:
is copy of
Idonia
|
0
|
0
|
*Advertisement voor Levensstrijd
(1891)
is also a
reception:
None
Ur lifvet I
|
0
|
0
|
Het Vaderland, in Het Leeskabinet
(1892)
is also a
reception:
is copy of
Een vonkje van genie en andere novellen
|
0
|
0
|
Romans en novellen van E. Marlitt ; opnieuw voor Nederland bewerkt
(1892)
is also a
reception
|
0
|
0
|
De Spectator, *Mention in List of most popular books
(1892)
is also a
reception:
None
In dagen van strijd
|
0
|
0
|
De Spectator, *Mention in List of most popular books
(1892)
is also a
reception:
None
Sophie
|
0
|
0
|
De Spectator, *Mention in List of most popular books
(1892)
is also a
reception:
None
Florence's droom
|
0
|
0
|
De Spectator, *Mention in List of most popular books
(1892)
is also a
reception:
None
Een Hollandsch Binnenhuisje
|
0
|
0
|
De Spectator *Mention in List of most popular books
(1892)
is also a
reception:
None
Rouwviolen
|
0
|
0
|
De Spectator, *Mention in List of most popular books
(1892)
is also a
reception:
None
Hermelijn
|
0
|
0
|
De Spectator, *Mention in List of most popular books
(1892)
is also a
reception:
None
Tom en ik
|
0
|
0
|
*List of most popular books, De Spectator
(1892)
is also a
reception:
comments on work
Lief en leed uit eene kleine wereld
|
0
|
0
|
*Enquête De Ned. Spectator, 1891
(1892)
is also a
reception
|
0
|
0
|
De Spectator, *Mention in List of most popular dutch books
(1892)
is also a
reception:
None
Vorstengunst
|
0
|
0
|
De Spectator, *Mention in List of most popular books
(1892)
is also a
reception:
None
Verbonden schakels
|
0
|
0
|
Nové výtisky zajimavých romanů (New prints of interesting novels etc.)
(1893)
is also a
reception:
lists work
Das Geheimnis der alten Mamsell (The old Mamsell´s secret)
|
0
|
0
|
Een Idylle, in De Gids
(1893)
is also a
reception:
is copy of
Eene idylle
|
0
|
0
|
Het heideprinsesje
(1895)
is also a
reception:
is translation of
Das Heideprinzesschen (The princess from the moors)
|
0
|
0
|
|
Lähempiä tietoja Sylviayhdistyksen järjestys- muodosta ja toiminnosta
(1895)
|
1
|
0
|
|
Thüringer vertellingen
(1895)
|
0
|
0
|
*Advertisement in De Amsterdammer
(1895)
is also a
reception:
None
Gevloekt
|
0
|
0
|
Onze Idealen, in Nederland
(1896)
is also a
reception:
is copy of
Bina en andere novellen
|
0
|
0
|
Levné knihy: Marlittová: Tajemství... (Cheap books: Marlitt: The secret...)
(1897)
is also a
reception:
lists work
Das Geheimnis der alten Mamsell (The old Mamsell´s secret)
|
0
|
0
|
Levné knihy: Marlittová: V domě obchodního rady (Cheap books: Marlitt: In the house of the commercial councellor)
(1897)
is also a
reception:
lists work
Im Hause des Kommerzienrates
|
0
|
0
|
Meesterschap, in Wilhemina-Album
(1899)
is also a
reception:
is copy of
Jonggezellenlevens
|
0
|
0
|
Kijkjes in de Huizen, in Eigen Haard
(1899)
is also a
reception:
is copy of
Bina en andere novellen
|
0
|
0
|
Vrijheid-blijheid, in Nederland
(1900)
is also a
reception:
is copy of
Jonggezellenlevens
|
0
|
0
|
*Knipselmap met artikelen
(1900)
is also a
reception
|
0
|
0
|
La Mare au Diable. Fur den Schulgebrauch herausgegeben
(1900)
is also a
reception:
is copy of
La Mare au Diable
|
0
|
0
|
Het lot der kinderen, in Eigen Haard
(1900)
is also a
reception:
is copy of
Het lot der kinderen
|
0
|
0
|
Wintergezichten, in Nederland
(1901)
is also a
reception:
is copy of
Jonggezellenlevens
|
0
|
0
|
Jonggezellenlevens, in Eigen Haard
(1902)
is also a
reception:
is copy of
Jonggezellenlevens
|
0
|
0
|
John Griegs Forlag: Ludolf Ursleu den Yngres Erindringer
(1903)
is also a
reception:
lists work
Ludolf Ursleu den Yngres Erindringer
,
lists work
Erinnerungen von Ludolf Ursleu dem Jüngeren
|
0
|
0
|
Cartoon, `Jonkvrouwelijke persmanieren'
(1903)
is also a
reception:
is parody of
Polemic with X.I (=Moresco)
|
0
|
0
|
De twistappel, in Groot Nederland
(1904)
is also a
reception:
is copy of
De twistappel
|
0
|
0
|
Erfelijk belast, in De Gids
(1905)
is also a
reception:
is copy of
Erfelijk belast
|
0
|
0
|
Bella en Sieska, in Europa
(1905)
is also a
reception:
is copy of
Jonggezellenlevens
|
0
|
0
|
Levensleer, in Groot Nederland
(1906)
is also a
reception:
is copy of
Levensleer
|
0
|
0
|
Bina, in Groot Nederland
(1909)
is also a
reception:
is copy of
Bina en andere novellen
|
0
|
0
|
*Announcement in Middelburgsche Courant
(1909)
is also a
reception:
None
Sara Burgerhart (play)
|
0
|
0
|
Eene terugkomst, in Nederland
(1913)
is also a
reception:
is copy of
Bina en andere novellen
|
0
|
0
|
Gratis bøker til nye abonnenter
(1913)
is also a
reception:
None
The Four Pools Mystery
,
None
The fir and the palm
|
0
|
0
|
|
De Amsterdamsche Dameskroniek
(1915)
|
0
|
0
|
Die unglücklich-glückliche Ostfrießländische Robinsonin Oder merkwürdige Reisen eines adelichen Frauenzimmers Imela von F** genannt
(1916?)
is also a
reception:
is edition of
[TO BE CHECKED] Die unglücklich-glückliche Ostfrießländische Robinsonin
|
1
|
0
|
Anthologie des Poètes Français Contemporains (1866-1914). Le Parnasse et les écoles postérieures au Parnasse (1866-1915)
(1919)
is also a
reception
|
1
|
0
|
Goud-Elsje
(1925~)
is also a
reception:
is adaptation of
Goldelse
|
0
|
0
|
Otteita Jean Cocteau'n kirjasta "Le Rappel à L´Orde"
(1927)
is also a
reception
is also a
reception:
quotes work
Le Rappel à l' Ordre
|
0
|
0
|
Puolan-numeromme kilpatehtävän ratkaisu
(1935)
is also a
reception
|
0
|
0
|
J.J. Mikkolan kirjallista tuotantoa
(1936)
is also a
reception
|
0
|
0
|
Tiistai
(1938)
is also a
reception:
lists work
De l'autre monde
|
0
|
0
|
Lauantai
(1938)
is also a
reception:
lists work
L'Orpheline Marie chez la reine des Tatras
|
0
|
0
|
Oeuvres et Romans
is also a
reception:
is copy of
Oeuvres de Riccoboni
|
0
|
0
|
|
Norwegian_source_test
|
0
|
0
|
*Advertisement
is also a
reception:
None
Little women; or, Meg, Jo, Beth and Amy
|
0
|
0
|